‘Never underrate the power of intuition when it comes to knowing what to write next. Trust in your subconscious and watch the magic unfold!’
‘We read non-fiction for information and also for emotional engagement. Does your topic have the potential to reach a wider audience because it has ‘big human issues’ to share? By this I mean issues about resilience, survival, love.’
‘It used to be that our biggest romance authors were huge overseas but not so much here, but I think audiences are changing and that will force publishing to change. The next thing I’d like to see changed is some of the snobbery that can follow commercial genres!’
‘Take care not to send the manuscript off to agents or publishers too early. Writers are so often guilty of this (me included!). We’ve worked so damn hard on our book, we’ve done so many drafts, surely it must be finished?! But it’s worth taking another break, giving yourself a cooling-off period, and then reassessing.’
‘I have so many lovely moments when readers have recognised themselves in my personal essays and felt like I was writing about their own lives. It is in these moments that I see the true power of memoir; we are writing our own personal truths and yet these are universal truths.’
‘By exposing all members to memoir, poetry, screenplay, historical fiction, even musicals etc, our constructive criticism allows all members to develop skills outside their comfort zones owing to the diversity of genres canvassed.’
We interviewed songwriter, novelist and poet Pip Smith, whose six-week online poetry course will be launching on 27 May.
We interviewed renowned short story author and teacher, Tegan Bennett Daylight, ahead of her five-month course, Online Feedback: Short Stories.
We caught up with publisher, editor, and writer Sam Cooney ahead of his seminar next week at Writing NSW, Making It Online.