Take a look at what we’ve read in September – a complex thriller, a meditation on grief, an addictive page-turner, a piece on Antarctic moss, a book of essays and more!
Take a look at what we’ve read in August – a compelling ode to Sarajevo, a contemplative literary novel, a new voice in Aussie crime, a haunting short story, a middle grade adventure and more!
Take a look at what we’ve read in July – a middle grade First Nations story, a postmodern reimagining of a classic, a book told from a painting’s perspective and more!
“It’s about becoming attentive, slowing the mind to create space for a poem to breathe. I am in dialogue with mystery, time, and with space.”
“For me writing poetry has always been a fairly personal act, and never been about editing for opacity and making a work easy-to-understand, but sometimes there are ideas and themes that I definitely want a reader to understand.”
‘Where do our stories come from? What are these tales we know, speak, understand, and replicate? Where do the words go? What do they do, or undo? What do they leave undone? When and how do we return to a place without words?’ Eileen Chong asks.
What is an ‘authentic voice’ in poetry? Award-winning poet and writer Vanessa Kirkpatrick takes us through the authentic voice, and how a good one in poetry can resonate through your heart.
Buckle up! July is another month packed full of literary events from festivals and book launches, to panel talks and book clubs.
We chatted to songwriter, poet and novelist Pip Smith, ahead of her course Online: Poetry, about what helps her get ideas onto the page, where to find your writing community and how poetry can wake language like nothing else.
