‘The more you pitch, the more comfortable you become with rejection, with no response, and with pitching again. Editors want to hear from you, and rejection is never personal!’

‘Research allows us to write about subjects which we are not already experts in… It allows writing to be imbued with the kinds of details which bring the reader into the worlds we’ve created and make those worlds fascinating.’

‘A good opening sentence is simple, raises questions or is surprising in some way. It is an invitation to the reader to enter the story; how you present that invitation is important.’

‘It’s a strange magic of poetry that the more specific you are, the more widely your poem will be understood.’

“We writers need to be near-virtuosic in our language because it’s a matter of how a story is told as much as what the story is.”

‘It’s exciting to encounter, through a memoir, a life lived in a way completely different to our own. It’s also reassuring to see our own experiences shared and reflected by others.’

‘Interior Australia is awash with fragmented perspectives and competing narratives that could only exist there. The best rural Australian novels embrace this by making the landscape more than just setting – they make it as vital to the book as character or plot.’

‘Rereading is an important mode of reading – taking in patterns until they become part of the fabric of your thoughts, learning how language and story and people’s minds work.’

‘The interplay between the desire for brevity and longer forms has always been something poets have been able to play with…poetry is infinitely flexible, it gives us so many ways to reach out to the reader.’