Starting from Scratch: Creativity for Writers
6 x Wednesday evenings:
- Wednesday 30 May 2018, 6:30-9:30pm
- Wednesday 6 June 2018, 6:30-9:30pm
- Wednesday 20 June 2018, 6:30-9:30pm
- Wednesday 27 June 2018, 6:30-9:30pm
- Wednesday 4 July 2018, 6:30-9:30pm
- Wednesday 11 July 2018, 6:30-9:30pm
Full Price: $600
Conc. Member: $360
You’ve got the itch to write, but where do you start? You have a big idea, but what’s the story? Or maybe you’ve got no ideas at all, just the need to write – what can you do? This course will guide you in finding an entry point, from where you can access the idea that’s inside you. The more entry points we have to choose from, the better. This course is designed to help you create characters, narrative ideas, conflicts, stakes, scenes, and even complete outlines, each one being a portal into a potential new work.
After beginning with a warm-up, every session will use a different stimulus leading to a piece of writing. These stimuli range from household objects to mysterious photographs, anonymous letters to fairy-tales, a random collection of instructions in envelopes to the world of the senses. By the end of the course, you’ll have the kernels of at least six new ideas.
This workshop is about creating new work from scratch every week, so it’s not the space for developing one idea over time, nor for bringing along works-in-progress.
Week 1: We will use an image to create the world of the story, as well as characters, conflicts and stakes.
Week 2: From instructions chosen blindly by each writer, a random ‘who’, ‘what’, ‘where’ and ‘under what conditions’ become the foundations of a scenario.
Week 3: Given a brief but detailed mental image, we will follow impulse to create a scene, and then use our analytical/critical brain to refine and revise.
Week 4: Focusing on character, writers will find the unique and surprising voices inside everyday objects.
Week 5: We’ll use a well-known myth or fairy-tale as a springboard for a new story, through inversion, subversion, mash-ups, contemporising, reinterpretation…
Week 6: Starting with a set of given circumstances, the writers are given moments of freedom interrupted by precise instructions and impositions.
Paper and pen; no devices please
About the tutor
HILARY BELL’s plays have been produced nationally by Griffin, Sydney Theatre Company, Black Swan, the Sydney Opera House, Arts Centre Melbourne, Deckchair, La Boite, State Theatre Company of South Australia, NORPA, Darlinghurst Theatre Company, National Theatre of Parramatta and Vitalstatistix; in the US by Atlantic and Steppenwolf; in the UK by the National Theatre. These include […]